英国制造

如果你正在犹豫要不要看，我可以告诉你：克拉克用极具煽动力的黑白镜头，把这种插科打诨拍出了荒诞的紧张感，戏里主角在截稿日前的疯狂焦虑，很容易让人联想到自己面对Deadline时的狼狈时刻。喜欢看那种冷峻、讽刺现实，又带点黑色幽默的剧情片，或者对英国社会写实风格感兴趣的朋友，这部绝对能让你看得很过瘾，看完还会忍不住琢磨里面那股子说不出的荒诞。没有煽情铺垫，阿兰·克拉克用近乎纪录片般的冷峻镜头，逼得蒂姆·罗斯把那种局促、慌张和无处安放的眼神演活了，每帧画面都透着股没人管的荒诞劲儿。看着一个想拿钱的演员怎么一步步把自己演进真监狱里，剧情里充满了粗粝的黑色幽默和尴尬的现实讽刺。蒂姆·罗斯一改往日搞怪形象，把“小人物”的无力感演得格外真实，尤其是他与拒绝他的恋人和固执老头的对峙，戏份不多却全是干货，那种尴尬和挣扎全靠细节撑着。不想看那种正能量励志片，就看看这种把生活拍得粗糙又真实的，适合想看冷幽默、喜欢看市井百态的人。

Trevor is a 16 year old, sometimes-violent skinhead with no regard for authority, and would rather spend his time stealing cars than sitting in the detention centre to which he is sent. His social worker, Harry Parker, tries to do his best, but Trevor is only interested when there's something that he can get out of it. The authorities within the centre try to make Trevor conform to the norms of society, but he takes no notice, and would rather speak in a torrent of four-letter words and racial abuse.

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