漫长的告别1971

影片不依赖戏剧化的冲突来推动叙事，而是采用扎实的现实主义手法与非线性结构，将女主人公的生命轨迹拆解为若干生活切片。 琪拉·穆拉托娃没有渲染战争的硝烟，而是透过日常的琐碎——丈夫与寡妇那一纸看似暧昧的“契约”与妻子无声的审视——揭示了道德困境下的脆弱。故事里没有大起大落的桥段，只有生活琐碎中磨平棱角的温柔与痛楚。如果你喜欢《她逝去的速度》那种带有心理分析味道的叙事，或者钟情于通过生活流展现深沉情感的剧情片，这部片子会很对你的胃口。适合喜爱新现实主义与先锋戏剧美学的观众细细咀嚼。 Tatyana Mychko演的莉达，把那种面对苦难时的麻木和倔强演活了，看的时候我一直在想，如果是我能不能撑过去。

It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)

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