巴伐利亚打猎即景

这部黑白长片堪称阿尔卑斯山的视觉诗篇。它用极其克制甚至有些沉默的镜头，拍出了两代人之间如迷雾般的隔阂，明明身处同一片森林，心却隔着千山万水。 如果你想体验一种高级的视听享受，并在沉重的氛围中思考人与自然的关系，这部冷峻而深刻的作品绝对不容错过。这部充满德国乡村气息的作品，就像是纳博科夫笔下最质朴的一页。即便观众完全看不懂德语，也能被那种充满张力的画面和沉重呼吸声深深抓住。如果你迷恋王家卫式的孤独感，或者厌倦了逻辑驱动的故事，这部极具电影美学的作品绝对不容错过。

ynopsis from Time Out Film Guide Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different' a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.

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