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皮涅罗镜头下这出惊心动魄的“爱情吞噬记”，质感冷冽又极具张力。两位主演眼神戏炸裂，将那种在痛苦中沉沦的极致情感演绎得入木三分。如果你迷恋心理惊悚、喜爱在画面中解读潜台词，或者热衷于人物内心深处的极致拉扯，这部影片绝对不容错过。主演西尔万·米绍与夏洛特·甘斯布贡献了教科书级别的化学反应，他们的眼神与对话仿佛能点燃屏幕。迭戈·佩雷蒂里与亚利桑德罗·帕拉迪诺贡献了充满张力的表演，两人互相折磨的眼神戏让人透不过气。加里·奥德曼和克里斯汀·斯图尔特贡献了影后级表演，那场失控的争吵戏看得人窒息又上头，每一个眼神和动作都写满了爱意与狠绝。

　　Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.

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